Barbara Jane Reyes is busy (re-)creating a culture. In Diwata, she dreamweaves what is and isn’t remembered through prose and line broken poems. Her third collection explores metamorphosis amid two cultures and tongues.
Reyes is a storyteller. Her motifs are intricately woven and the arc is unmistakable. Half of me wants a loose end to grapple with; the other half is in awe of Reyes’ ability to carry such a cohesive, full-length collection.